Dyeing – Hopefully Creative

Thin Stripes Sweater

Spiral striped sweater with a hint of yak.

I saw the # 18 Top down Pullover by Lana Grossa as free pattern on Ravelry and immediately fell in love. Too bad the free version was only in German and this pattern was quite difficult to understand. I became so obsessed with making it that I went online to find an English version of it and ended up paying for a whole stack of printed paper of all the patterns in the magazine it was published in. We’ll see if I make any more of the included items.

One dark gray skein, two gray skeins and two white skeins.

For the yarn, I dyed some MCN DK, a dk weight yarn with Merino, Nylon and Cashmere in a grey/brownish tint. I also used two more skeins of that yarn but undyed and two skeins of Tibetan DK, with Merino, Yak and Silk for the thin stripes and hems. I purchased the yarn bases way back, based on their listed gauge, before I even got hold of the English pattern. That’s how much I wanted it.

When I had my pattern and my yarn, I got to work. I believe I followed the instructions pretty faithfully up to the transition from dark to thin stripes. I messed up a little there but I think I managed to hide it pretty well. The pattern uses spiral stripes to get those thin stripes, which is such a cool technique. It did take me a bit to figure out how it worked though, so there are some increase errors in one of the raglan areas.

Thin Stripe Pullover neckline view on mannequin.

Thin Stripe Pullover dark gray to thin stripe transition.

I followed the pattern until separating the sleeves and even a bit further, put it on and thought it looked like a tent. So I frogged a whole bunch (also super interesting with spiral stripes) and separated for sleeves a lot sooner. I also didn’t add as many stitches in the underarm and I decided to continue the one raglan pattern p, k7, p down the body and the sleeves. I thought that was a fun little detail. Then it was on to a whole lot of stockinette knitting, three at a time. The separate balls of yarn were in the sweater which was held closed with safety pins. This worked really well.

Thin Stripe Pullover front view on mannequin.

Thin Stripe Pullover back view detail of white cross marking on mannequin.

For the bottom, I chose to do a 3×1 rib so I didn’t have to do a fold-over hem. I didn’t have enough yarn to make it in the same colour as the top, so I used the yak yarn for that. Seemed like a wiser choice than white cuffs, especially for such a klutz like I am. I did hours and hours of research on bind-offs, chose one, did it wrong and decided I liked it better than what it was supposed to be, so I left it. The final touch was hiding all the ends and stitching a little cross in the neckline to mark the back. I don’t own much brown clothing, but I do really like this thing. I hope it is as soft to wear as it is to touch!

Haberdashery Cowl

Knitting one colour at a time but still ending up with a continuous two-colour project.

This cowl has been my travel project since June 2024. This means that it was almost always in my bag and was mostly worked on while I was on the move. I mainly chose it as the travel project because it wasn’t too complex, but there was still some interest in it. Not endless stockinette but a slip stitch herringbone pattern. This meant that I only knit with one colour at a time while slipping stitches of the other colour to create the pattern’s chevrons.

Blue and white/yellow chevron cowl, edge and outside

I found the pattern because it happened to be in the pattern magazine that I had purchased to make this sweater (which hasn’t happened yet). It’s called the Haberdashery Cowl by Ashley Rao and came from Interweave Knits, Fall 2013. I did not pay attention to gauge and it shows. The original is very loose fitting and uses a button to close tighter, but my version didn’t need that. I think it’s because I chose a slightly thinner yarn too; self dyed alpaca 4-ply sock yarn in ‘white with yellow, orange and blue’ and ‘blue with dark blue spots’.

Haberdashery Cowl herringbone pattern on paper

Haberdashery Cowl, light blue and yellow striped knit cowl in progress

The pattern consists of a written section and a charted section. The charted section is published in white and brown, to correspond with the colours of the example cowl. However, mine was going to be blue and yellow and I kept getting extremely confused by the colours, so I redid the chart in excel in my colours and printed it. I added some tick boxes to the right so that I could remember where I was. I think it saved my sanity.

Blue and white/yellow chevron cowl, edge and inside

This thing is also pretty cool on the inside. The beginning of round is just visible on the left where I made the yarn cross over each other. I did block it because the bottom edge was very tight, it’s loosened some with the blocking. Of course I’ve finished this winter item just in time for Spring, it was over 20 degrees Celsius yesterday. So I don’t know how much wear it will see in the next few months. But I am happy that I managed to finish it and I’m ready for a new travel project!

Turquoise Sweater

Machine knitting a self-dyed sweater with big sleeves.

I’ve been wanting to make a wide sleeve, long narrow cuff sweater for a while. But the search on Ravelry didn’t want to provide me with sweater options that I liked, so I continued looking. Eventually I stumbled on a 30s sweater pattern from Etsy that looked promising. I purchased it and promptly found out that it wasn’t as helpful as I’d hoped. The instructions don’t say anything about the ribbing that’s used in the pattern images, for example.

Front of turquoise sweater on me with arms up to show the sleeve buttons

In the end I settled on dyeing four skeins of crazy eight dk yarn with spruce and teal, plus some black speckles. The original patterns requires you to knit the bottom hem first, and then increase to the front and back panel, same with sleeves, cuff first and then increase. However, when I started this sweater I didn’t have a ribber attachment for my knitting machine yet, so I started with the back panel above the hem. I’d figure out how to do the hem later.

4 skeins of yarn 'crazy eight DK' dyed with dark green / teal and black.

Sleeve detail of ribbed turquoise sweater with 8 buttons.

The front, back and sleeve panels are basically the same. With the only difference being that the the front panel needed to be cast off sooner than the others. Presumably for a lower neckline in the front. After having knit those four giant panels, I only had about 40 grams of yarn leftover. That didn’t seem like it would ever be enough, so I dyed another skein. This one turned out a little lighter, so it was good that I was only supposed to use it for the hems and cuffs.

Front of turquoise sweater on a mannequin

Side of turquoise sweater on a mannequin

I have since also acquired a ribbing attachment for the knitting machine and set about learning how to do the cuffs. It took a few tries, but it’s definitely quicker and more even than hand knitting. I kitchenered the ribbed sections to the corresponding body parts and left sections open for buttons. The overlapping edge gets stitches picked up in a regular interval, where some stitches are not picked up on purpose for the button holes. Then a garter edge is knit for some stability. Buttons are attached on the other edge and that allows all buttons to be functional.

Neckline detail of turquoise sweater with 5 buttons.

Neckline of turquoise sweater on a mannequin

I decided to increase the neckline height at the front to the same level als the sleeves and back piece. I still don’t know how they expected things to line up with them not being the same height. But fine. It’s now done, and I really love the colour – it doesn’t show up on camera accurately at all, but in person it’s great! It wears well, even if the sleeves are somehow just a little bit too short.

Cowltopus

Joining a mystery knit along to make an octopus inspired “cowl”.

For the first time ever, I participated in a Mystery Knit-a-long (MKAL) last month. A KAL is a project where you get some part of the instructions and should complete those in a set time period. Mystery just means that you haven’t got a clue what the end result is going to be.

Sometime in September, I saw the announcement for the Cowltopus MKAL by Laura Nelkin, an MKAL that was to take place in October. It was on sale and it seemed like a fun idea, and I really like octopuses, so what could go wrong? Well, I forgot about it until about two days after the first clue came out and I hadn’t done any of the prep work. The prep included finding the right yarn and swatching it. I found the yarn I wanted to use, but it still needed to be dyed.

Glas octopus with yellow, retrieved https://www.oceanactionhub.org/octopus-species/

Glass octopus with orange and brown, retrieved https://octolab.tv/species/glass-octopus/

The pattern calls for DK weight yarn around 225 m/100 grams. There should be a main colour and a contrast colour, and both can be composed of mini skeins or just a single colour skein. There should be contrast between the MC and CC and gradients are encouraged. So I looked on the internet for different kinds of octopuses and settled on the quite elusive Glass Octopus Vitreledonella richardi. To match the inspiration, my MC was one full skein of Ultra DK in light blue. For the contrast, I chose to split a skein of Ultra DK into four section and dye them in a gradient from yellow to chestnut/brown.

Two skeins of yarn, left Contrast yarn from yellow outside to brown inside, right Main yarn in light blue

All skeins of yarn for the cowltopus. From left to right, yellow mini skein, orange mini skein, blue full skein, dark orange mini skein, brown mini skein

Once the yarn had dried, the gauge swatch got going. The swatch indicated that I had to size up my needles a little because I couldn’t get gauge otherwise. The first clue had come out on October 3rd, and was supposed to be done by the time clue 2 would be released a week later. I managed to get my yarn dyed and swatch ready by the 7th. On the 13th, I finished clue 1, to get right back on with clue 2.

Hood with yellow - orange gradient, end of clue 1 — Clue 1

Clue 2 went really smoothly and was actually finished on time, done by the 14th. This wasn’t super challenging yet, so I sailed right through it. The only new things were magic knots and needing to pay attention to the stitches. The third clue was where it got interesting. There were two options, brioche knit or ribbing. So I decided to learn something new and got going on the brioche. It wasn’t as scary as I was worried about. The instructions and video companion were very helpful and it all went according to plan.

Hood with yellow - orange - dark orange gradient, with brioche edge, end of clue 3 — Clue 3

Clue 4 was the last clue and where we were finishing the cowl – that turned out to be a hood. It was more brioche but now with waves in it. Actually quite fun to knit! The pattern is designed in a way that you shouldn’t run out of yarn unless you choose to ignore the instructions – my bad. I was supposed to start the end with 4 grams remaining, but I had 3.6 grams of yarn left. In the end, I had to tie in 15 cm of leftover yarn from the dying process to get the last few stitches finished.

Finished cowltopus with knitted octopus — Clue 4

Finished cowltopus, end of clue 4 — Clue 4

I enjoyed learning new things and not knowing exactly what was going to happen throughout the KAL. I’m not discounting doing one again even though the resulting hood isn’t totally my style. I’m very happy that one of my colours was solid, because the finished hoods from other knitters are overwhelmingly busy. I’ve not found much reason to wear it yet, so I’m not sure what I’m going to do with it. Sometimes having a fun process is more important than having a good result.

Batwing Knit

A vintage knitting machine pattern in some muted fall colours.

The booklet that came with my knitting machine also had a pattern for a striped ladies pullover with V-neck, DP 2219. This seemed like a fun thing to do with the knitting machine that wasn’t a rectangle of some sort, so I set out on a quest to complete the pullover. This started with dyeing yarn. I chose upcycled quarter round yarn, a sock weight with 425 m/100 g and tried to dye it in the colour scheme of a picture I found on the internet.

It didn’t turn out the way I hoped, although I’m not sure exactly what I was hoping for. However, once I started knitting it up, I knew it didn’t really fall within the colours I would love to wear. Still determined to see if the pattern would work, I continued. I made one major change, by decreasing the depth of the v-neck, but apart from that followed the instructions. I finished knitting the front and back, and blocked them. Then I lost motivation and it sat in a bag for a while until I met up with a friend. These colours suit her much better, and I knew I needed some sort of external motivation if I were to ever finish it, so I asked if she might be interested. She was.

Batwing knitting machine sweater on a dress form, front

Batwing knitting machine sweater on a dress form, v-neck detail

So I knit the neckband and after some cursing and annoyance managed to get that installed in a way I liked. It’s probably not the way the pattern intended, but it’s on there now, so it’ll do! The sleeves and bottom still rolled quite badly, so I decided that it needed cuffs. I first knit some in a mock rib on the knitting machine and had them attached before deciding that the join was too awful. So I ripped it all back, cast on ribbing and knit it by hand, both around the cuffs and the bottom.

Batwing knitting machine sweater laid on the floor, front up

Batwing knitting machine sweater laid out on the floor

I think I probably asked before summer whether my friend was interested (providing no guarantees on when it would be completed) and it still took me until September to get it finished, but it is done! She enjoys it, I’m happy to have made something out of the yarn that I wouldn’t use for myself, I liked testing the pattern and doing something different on the machine. A bit delayed, but still a win in the end!

Tea Cup Scarf

Loopy scarf that pretends to be a teacup.

One of my friends had a birthday in August and I decided to use this as an opportunity for gift giving and reducing my yarn stash. I still had more of that pink stuff laying around that would suit someone who likes pink a lot better. Inspiration was easily found since Pinterest had thrown up a ‘tea cup scarf‘ at some point, and I knew she liked tea.

Rolled up pink and brown scarf that vaguely resembles a teacup

Skein of brown variegated yarn with a label reading Arequipa Singles and other details.

So I set out to dye some Arequipa singles yarn in ‘tea brown’ (some combination of ‘brown’ and ‘chestnut’), and after it dried, just started knitting on the knitting machine. I cast on 60 stitches on gauge 5 and just zoomed my way through almost the entire ball. I held back a few meters of brown for finishing, then attached the pink yarn and knit until that also ran out. With the last sections, I knit a ‘handle’ for the cup. Then everything got blocked on the hoard room floor, taking up the entire length. This seemed a little.. much.

Pink and brown knitted scarf with a loop on a mannequin

Pink and brown knitted scarf with a loop and a knit tea-bag on a mannequin

To remedy that problem, I made the scarf double layered by bringing the brown end up to the start of the brown and knitting down the sides and doing the same thing with the pink. I also added the handle when I was sewing down the pink sides. To complete the teacup look, I knit a small pouch (to hold some stitch markers) and attached a little tea-bag-label with an embroidered cup. I think it turned out pretty cool and it was a fun way to deal with some more of the pink, while making sure it went to a better home than mine!

Dye Fun!

Some more dye experiments – olive does weird things..

I recently got to spend a lovely afternoon with a colleague, playing with dye and bleach and trying some new things.

Detail of one skein of alpaca yarn dyed brilliant blue and periwinkle with gunmetal speckles on a black shale background

We mostly used Alpaca 4 ply yarn, and dye in three shades of blue (brilliant, royal and sky), periwinkle and gunmetal grey.

One skein of alpaca yarn dyed brilliant blue and periwinkle with gunmetal speckles

Turns out that if you put too much blue in, the variation gets lost. To get some variation back, we put some bleach over it, but it didn’t do all that much. Maybe my bleach was too old or it just doesn’t work. We decided to tried again with only brilliant blue, the periwinkle and some gunmetal speckles. A much more defined result.

One ball of alpaca yarn dyed brilliant blue and periwinkle with gunmetal speckles

One ball of upcycled quarter round dyed brilliant blue and periwinkle with gunmetal speckles

As a contrast to the blues with periwinkle, we also did a silver grey one. It’s always amazing to see how you end up with clear water after dumping in a bunch of dye.

One hank of alpaca yarn dyed silver gray hanging

One skein of alpaca yarn dyed silver gray

For some variety, we dumped some dye labeled ‘olive’ in the pan, and added two skeins of kid silk, and one alpaca 4ply. The yarn turned entirely green first before becoming orange-ish? It was as if it entirely split; super interesting to watch and I should’ve time-lapsed it, somehow.

Two hanks of kid silk lace yarn and one hank of alpaca yarn dyed olive hanging

Two hanks of kid silk lace yarn dyed olive hanging

One of the blue ones and the olive yarn stayed in my house while the rest went home with my colleague. It was a good afternoon and I do really love experimenting!

Experimental Pinks

Experimenting with colours and knitting machine settings.

At some point, I did some experimenting with dyeing yarn with some red sprinkles. I wasn’t a fan of the end result because it was very pink, and pink is the nemesis colour. So I decided to still use it but gift the resulting thing to a friend and get it out of my house. It was also a great opportunity to try out different things with my knitting machine.

I cast on almost the full bed of my knitting machine, since there are some broken bits not all needles can be used. Then started knitting as normal, decreasing one stitch on one side every four rows. The first thing I tried was gauge stripes (one of the examples in my instruction manual), by knitting rows with the largest gauge (10) and decreasing one step in the gauge every four rows until gauge two. Next, I changed the gauge every three rows, when that was finished every two rows and I even ended up doing 1 row per gauge change. It’s a fun progression to see.

Some simple flat rows came after before continuing with a different example in the instruction manual where two rows are knitted on a small gauge that makes tight stitches and then two rows knitting on a high gauge with looser stitches. The book also had a pattern with putting stitches on hold that looked quite interesting, like a hole with two lines of yarn through it. Because this was quite a lot of work per stitch, I only did a few rows of this.

I tried a section where I decreased every fourth stitch and then put those needles that no longer have a stitch out of work. When knitting, this creates a slightly larger hole between the stitches still in work and the non-knit needle. I like this one. To go back to normal, you add a stitch back to the needles that were out of work and put them back in work. The last one was a cable inspired pattern, I think. It didn’t work as nicely on the knit side of the scarf, so I’m not sure I’ll use it again.

Once all of the knitting on the main piece was concluded, before Christmas, the scarf disappeared into a bag to be forgotten. Until the start of April, when I decided that it was probably time to finish the thing. I wanted to add an anti-roll edge so I did the same thing as in my previous pirate’s cove scarf. It took most of the day, but I did manage to finish it. It’s been wet blocked to hopefully keep the shape.

It has since found its new owner and although I doubt it’ll be worn soon (summer and all that), I hope that it’ll be a useful addition to my friends wardrobe!

Roxy Blues!

All the blues in this sweater

Browsing Ravelry a while ago, I found a pattern that I really liked, called
Roxy Sweater by Lucienne Tricote. I even added it to my Queue on Ravelry, not an often used feature for me. To make it a reality, I needed a yarn that wasn’t too stripy, but I also didn’t want a solid colour sweater. So I decided to use multiple dyes to create a variation of shades of blue. The most accurate colour is in the final image of the post.

So I dyed some Gold Sport 300 yarn by putting four skeins into my chafing dish and adding different shades of blue over the top. I chose the Jacquard dyes 621-626, Sky Blue, Sapphire Blue, Brilliant Blue, Turquoise, Royal Blue and Navy Blue. Then I added a little 637 Gun Metal. The gun metal didn’t do much apart from somehow producing a few green spots? I decided not too care too much about that.

For the body, I cast on in twisted German cast on on size 3.75 needles, but this seemed tight. I knit the rib section and up to the row of eyelets. Then started the sleeves by casting on the stitches on size 4.5 needles (I think), this felt a lot better, much stretchier. Once the sleeves were done, I continued with the body until the point where the sleeves were supposed to be connected to the body. This was the single most boring knit I’ve ever done. I was so frustrated with the absolutely endless stockinette that I almost wanted to chuck it into a corner for a century. I did, however, persevere!

Once I had the body and sleeves at the right length, I decided that I hated the body cast on too much, so I cut it out. It was replaced by a much stretchier cast off. The body and sleeves were attached together and that marked the start for more interesting knitting, with the raglan sleeve decreases, the eyelet section and the garter stitch bit. I had to redo the neck section four times, too tight, too low, too stretchy, etc. I’m happy with what I ended up with though. The finished product is a little shorter than the pattern calls for, because I wanted to wear it with my dark dungarees. This is now my favourite outfit even if I will try to avoid endless stockinette handknitting with yarn this thin for a good long while.

Anna Crop Top

All the greens in a little crop sweater

I was looking through Ravelry again, as I sometimes do, and found a crop top sweater that looked really cool. It was the Anna Crop Top from Wiam’s Crafts and I decided that I needed one. So I grabbed some of my Ultra Aran and put it in the chafing dish. The sprinkle effect was created by putting 5 dye colours and citric acid in a little salt shaker and just shaking it all over the yarn. The colours were Jacquard Acid Dyes Spruce, Kelly Green, Chartreuse, Teal, and Emerald. In total, I dyed 4 skeins for the project.

When I started knitting this thing, I was extremely afraid that I’d run out of yarn. So I cast on two sleeves at the same time and hoped that it would work out. I did make a fair amount of changes to the pattern that led to both extra yarn used and less yarn used. In the sleeves, I started them with fewer stitches and decided to do gradual increases. But in the body, I added extra stitches to the bottom because it was very short.

When I knit the right amount of sleeve on both sides, I cast on the total number of stitches that I wanted to end with (a few more than per the pattern). Then some short rows to get the shaping effect. I tried doing the pattern instructions first, but it just turned into a lumpy mess so I gave up. One skein was enough for the full sleeve plus the start of the body. Then I attached another skein to one of the sleeve-body things and continued knitting the rest of the body, front and back. I didn’t want to join it in the middle but on one side, and used Russian Grafting to put it all together.

The join is nearly invisible on the knit side, but there is a little interest on the purl side, which is the side that is showing. Still, you don’t see if from any distance. I’ve not really worn it out yet. I tried it with a pair of dungarees that I recently made and am in the process of writing up, but it was still a little too short and I was worried about the cold. It might be more of a spring/summer thing than a winter thing.

Category: Dyeing